What Does Politics Have To Do with Beauty?
Timothy Lukes answers. Part of the equation: showman P.T. Barnum, naturalist John Muir, and auto designer Harley Earl, who gave us the ’57 Chevy.
Timothy Lukes answers. Part of the equation: showman P.T. Barnum, naturalist John Muir, and auto designer Harley Earl, who gave us the ’57 Chevy.
The author of The Kite Runner talks writing, refugees, and his hopes and fears for Afghanistan.
In Undocumented and in College, Laura Nichols ’90 explains how past and present converge in post-DACA America.
A poem, an invitation, and a call—from the U.S. Poet Laureate Juan Felipe Herrera to the Santa Clara Class of 2017.
Anna Deavere Smith work for the stage has been groundbreaking: focusing on moments of crisis and catching stories.
Anna Sampaio ’92 and E. Gary Spitko take on bias in immigration, policing, and the workplace.
An excerpt from The Kid, the story of Billy the Kid like it’s never been told
A conversation about Elizabeth Drescher book’s Choosing Our Religion.
In which we talk with Ron Hansen M.A. ’95 about truth and fiction and Billy the Kid—and when you can’t tell the good guys from the bad guys.
Mikhail Bulgakov wrote The Master and Margarita and then took on Don Quixote for the stage. Scholar Scott Pollard ’81 explores why.
Rule makers and breakers: from the NFL to the streets to the American Revolution.
Wendy Warren ’97 tackles the truths behind slavery and colonization in New England.