One of the largest STEM campuses in the country is also the most inventive—bringing people from a range of disciplines together, under one roof, to innovate and create.

When is too much just too much and when does access to more make us better? It all depends on how we use the information—and time—we are given.

Sixty years have passed since the SCU president decided to admit women as students. They were not greeted with many open arms.

Benjamin Grundy ’21 found a way to make an impact during the pandemic, working with a Ugandan company through a Miller Center fellowship.

Santa Clara welcomes actor and activist BD Wong as the 2021-22 Frank Sinatra Chair in the Performing Arts.

Math major and tap dancer Alissa LaFerriere ’21 combined her two passions to help create a device that teaches wearers how to kick, ball, change through buzzes.

The Markkula Center for Applied Ethics gets out the word about vaccinating hard-to-reach communities.

How do you put on a musical during a pandemic? The cast and crew of SCU’s The Book of Holding On learned how to perform online last spring.

It’s been 27 years since the final episode of The Joy of Painting, but Bob Ross still draws young people together at Santa Clara.

In a conversation on writing with joy, pop-culture writer R. Eric Thomas talks about getting over the idea that we’ll never make it—or that we’re frauds when we do.

The Biden Administration appointed SCU Law professor Colleen Chien as a senior counselor to the U.S. Department of Commerce.

White Freedom: The Racial History of an Idea explores the paradoxical ideals of freedom from France and the U.S.