SCM-Fall15-Nameplate

Sections

  • 04/05/17

    04/05/17

    Tina Vossugh, 15 Jun 2017

    Superbloom! The explosion of color in California’s wild places.

    Summer 2017

  • Good Guys and Bad Guys

    Good Guys and Bad Guys

    Steven Boyd Saum, 15 Jun 2017

    Plato meets Billy the Kid and the artificial intelligence algorithms shaping your future, like it or not.

    Summer 2017

  • Letters Summer 2017

    Letters Summer 2017

    Our Readers, 15 Jun 2017

    Let’s look back at the future of STEM. Comments on our Spring 2017 mag.

    Summer 2017

  • Best Academic Library in the World

    Best Academic Library in the World

    Devin Collins ’17, 15 Jun 2017

    SCU’s Learning Commons, Technology Center, and Library earned the 2017 Excellence in Academic Libraries Award. Call it the Academy Award of libraries.

    Summer 2017

  • Cam’s Corner

    Cam’s Corner

    Eryn Olson ’16, 15 Jun 2017

     A course on courage with Marty Sammon ’56 and Cameron McCarthy ’17. Both have spent time in the ring. And Marty went to Little Rock’s Central High to defend the rights of nine black students who wanted to go to school there.

    Summer 2017

  • Masthead

    Masthead

    SCM Staff, 15 Jun 2017

    The editorial, creative, and production teams behind Santa Clara Magazine.

    Summer 2017

  • 01/08/17

    01/08/17

    Steven Boyd Saum, 1 Mar 2017

    Flow, river, flow: Atmospheric rivers, epic snow and rain, and the end of drought (sort of).

    Spring 2017

  • Things To Come

    Things To Come

    Steven Boyd Saum, 1 Mar 2017

    John A. Sobrato '60 promised something terrific in STEM. He delivered the future. 

    Spring 2017

  • Letters

    Letters

    SCM Staff, 1 Mar 2017

    Photographer Michael Collopy’s portraits of Mother Teresa are captivating—and we’re not the only ones who think so. Readers chimed in with memories of the saint and other musings on our previous edition.

    Spring 2017

  • Here Comes the Sun

    Here Comes the Sun

    Maura Turcotte ’17, 1 Mar 2017

    The life of stained glass and its journey from Nobili Hall to the Jesuit Residence

    Spring 2017